Jim Crow Museum
1010 Campus Drive
Big Rapids, MI 49307
[email protected]
(231) 591-5873
The coon caricature is one of the most insulting of all anti-black caricatures. The name itself, an abbreviation of raccoon, is dehumanizing. As with Sambo, the coon was portrayed as a lazy, easily frightened, chronically idle, inarticulate, buffoon. The coon differed from the Sambo in subtle but important ways. Sambo was depicted as a perpetual child, not capable of living as an independent adult. The coon acted childish, but he was an adult; albeit a good-for-little adult. Sambo was portrayed as a loyal and contented servant. Indeed, Sambo was offered as a defense for slavery and segregation. How bad could these institutions have been, asked the racialists, if black people were contented, even happy, being servants? The coon, although he often worked as a servant, was not happy with his status. He was, simply, too lazy or too cynical to attempt to change his lowly position. Also, by the 1900s, Sambo was identified with older, docile black people who accepted Jim Crow laws and etiquette; whereas coons were increasingly identified with young, urban black people who disrespected white people. Stated differently, the coon was a Sambo gone bad.